We’re getting bigger!
There’s never been a more exciting time!
He doesn’t make us nervous
What we need is a clean slate
What does this button do?
There’ll be a consultation
It never worked anyway
Need to get rid of the old wood
What we need is a clean slate
Well I’m sorry you feel that way
We don’t deal with that one
He doesn’t make us nervous
What do you think went wrong?
What we need is a cleans late
There’s never been a more exshiteing time!
Let them eat microherbs!
A couple of weeks ago I was reading Zygmunt Bauman’s book Community – Seeking Safety in an Insecure World in preparation for a book review. It was the same week that I first tried streaming my illustration process on Twitch. In a conversation with my friend Nicholas Moll (from Owlman Press) I mentioned that once I’d finished reading Bauman for the night I’d probably jump on Twitch and start drawing requests. Nick suggested I draw a flesh golem, and somehow we ended up with the idea of a Zygmunt Bauman flesh golem. (A flesh golem is basically Frankenstein’s monster – a person made from the parts of deceased people and animated through the power of ‘science’.)
I decided to draw the Zygmunt Bauman flesh golem with a third eye surgically added in the middle of his head, suggesting that his mind has been awakened. In Mary Shelley’s Frankenstein, the ‘monster’ is more enlightened than the scientist who created him by the end of the novel. From reading Bauman’s book, I think he is also pretty awake to our current global situation. Bauman talks about how global elites have refashioned our society to suit their own ends. The problem is that because society has become very fragmented it is now very difficult to organise effectively. I think what my own country’s government is doing at the moment is exploiting some of these divisions through the public debate about marriage, in order to distract from the growing economic inequality, which I think is the real threat.
I just want to warn that this post talks (briefly) about clergy sexual abuse.
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Maybe one way you can tell Jesus was really a construction worker is that he apparently made a joke about an industrial accident: You’re worried because you think your neighbour has a splinter in their eye, but you’ve got a construction beam coming out of your head! Who’s got the real problem?
We were talking about this confronting parable on Saturday at a meeting about how people of faith can promote the ‘yes’ vote in Australia’s upcoming survey on marriage equality. The parable is a darkly humorous way of talking about the hypocrisy of deeply immoral people attempting to ‘correct’ others.
I think what is really tragic is that many Christians don’t realise that in our wider society we have lost all credibility on morality – particularly with regards to sexual ethics. Christian clergy in Australia have sexually abused children and the church institution has tried to cover up the abuse. This leaves us with no credibility in the wider community if we try to say that two adults in an equal and loving relationship shouldn’t be able to get married.
I’ve only really watched one of Chris Lilley’s shows, and it happened to be 2011’s Angry Boys. When I watched it, I felt a bit awkward about European-Australian comic Lilley portraying Japanese and African-American characters. I wondered how much Aboriginal people may have had a say in how their characters were portrayed. (During the show one of the Aboriginal actors ended up visiting our house because he had a cousin staying with us.) At the time I don’t remember hearing anyone asking these questions, and I appreciated that through the show Lilley seemed to be getting people to consider what might be going on behind what seemed to be a crisis of masculinity in our global society.
More recently, however, Lilley’s 2014 show Jonah from Tonga received a clear critique from Australia’s Tongan community. The problem was that ‘Jonah’ – a European man impersonating a stereotype of Tongan youth – had become the most recognisable public face of the Tongan community in Australia. It seems quite unfair for a member of the European majority to have power over how a relatively small cultural group is portrayed in the media. More recently the same show was axed by Māori Television in Aotearoa/New Zealand, by request from the Tongan community. It would be hard to imagine that Chris Lilley is still unaware that people feel he’s being racist by pretending to be a person of colour.
Last weekend Lilley was back in the public arena for the wrong reason. Just after a major protest related to the death of Elijah Doughty, Lilley tweeted a video clip from Angry Boys which seemed to be referring to Doughty’s death. Elijah Doughty was an Aboriginal boy who was run over by a European man in Kalgoorlie. It appears that the driver intended to run Doughty over, but he has been cleared of murder and manslaughter. In this context Lilley’s song ‘Squashed N***a’, about a black kid being run over, seemed like a pretty clear and dispicable reference to Doughty’s death. In response to the outcry about the video, Lilley deleted the tweet, then deleted his account. Later on he restored his account and posted an apology saying that he hadn’t meant to be racist.
I’ve dsaid this before, but we need to remember that we can’t be the only judges of whether we’ve been racist. If someone from another racial or cultural group suggests that we’ve been racist, we need to listen whether or not we’ve intended to be racist. If our words or behaviour are having a harmful impact on other cultural or racial groups we need to listen to that and change our behaviour. If Chris Lilley returns to television, I’ll be interested to see what he does. But Lilley’s disaster doesn’t let the rest of us off the hook. We need to be ready to listen when someone suggests that we’ve been racist.
The official launch date and pricings for D&D Beyond have been announced. The platform will be ready on August 15, and you can find the rest of the details here. There’s already a lot of fans complaining about being ‘forced’ to buy all of their books again. No-one who has all the books in print or on other digital platforms has to adopt this platform. I expect it will be a really convenient way for new people (who might not want print copies) to get into the game. In fact, I’d consider not buying any more print copies if this works well.
This week census data was released. In the lead up to the census there was a big campaign encouraging folks to tick ‘no religion’. There was also a counter-campaign from some Christian groups desperately encouraging folks who were undecided to tick ‘Christian’, so that Australia wouldn’t become a Muslim country.
The data’s come back, and it looks like about half of Australians still identitfy as Christian. However, those who ticked ‘no religion’ were larger than any of the Christian denominations.
I don’t think it should be any surprise that all the churches are in decline. I also don’t think this is something Christians should be afraid of. Out of all the religions, we should be least afraid of death. Death and resurrection is what Christianity is all about. If the church dies, who knows what will come next?
Earlier in the week I noticed Kaitlin Curtice’s blog post, ‘People Who Hold Space Will Heal the Church’, and I’m interested in what she says about holding space. She basically says that the church (and I think a lot of other institutions too) like to try and manage people rather than holding space where transformation could occur. (Reminds me a lot of the stuff I’ve been re-reading in Henri Nouwen’s book, Reaching Out.
On a similar theme, I’ve been thinking about what it means to be present to someone.
Sometimes it just means what some of us might regard as trivial bullshit. Talking about the weather, exchanging friendly banter, talking shit…
But we need to be alert to when that’s not what’s needed, when our guest has something deep they need to talk about – illness, love, death, family…
We’ve also got to be attentive to when someone just needs silence or space.
Sometimes presence means sitting with someone. Something it means banter. Sometimes it means politeness. Sometimes it means eye contact. Sometimes it means (thank God) no eye contact. Sometimes it means depth. Its just being present to the person and situation and responding as appropriate.
I recently watched this short talk from Sarah Knight:
While I was watching the video I got in touch with someone saying no to something they’d asked me to do. I knew that was what I had to do even before I watched the video. In the video Knight says that we need to say no to things we don’t care about. I don’t think I have trouble with that. I find that often I do need to say no to things even though I care about them, because the folks who want me to be involved aren’t treating me well. (To reuse Knight’s language, they don’t give a fuck!) I need to remind myself that it’s not worth working with people who are going to treat me badly, even if the cause is good.
At Easter I published a post where I said that we should treat the story of Jesus as mythology. Some folks said they were interested in what I mean by that. I started wondering what I really mean by that.
Dominic Crossan says that myths are stories that try to explain everything, make us at ease, close all the gaps, show us that everything makes sense and everything is as it should be. Myths explain everything. Myths don’t leave space for more speculation or conversation.
Parables, on the other hand, challenge mythology. Parables, disrupt, question and transform. Historically Christians have often read the parables of Jesus as though they answered questions and summed up reality, but in their original context they often challenged people’s assumptions.
Given Crossan’s definitions, would you say that the story of Jesus’ resurrection is mythology or parable?
This ANZAC Day it seemed like we hit peak outrage. There’s been a lot said about Yassmin Abdel-Magied’s ‘Lest we forget’ Facebook post. But some senstive folks were also upset by the words of Kaurna elder Katrina Ngaitlyala Power, who mentioned in her Welcome to Country, that this land was invaded. People were also upset that Power paraphrased the 23rd Psalm to say, ‘though I walk through the Valley of the Shadow of Invasion’.
“We had to listen to a culturally misappropriated, bastardised version of the Psalm that included “Yea though I walk through the Valley of the Shadow of Invasion”,” the Grange resident said. – Craig Cook, ‘Speech of welcome by Aboriginal elder Katrina Ngaitlyala Power at Anzac dawn service referencing slavery condemned as too political’ The Adveriser April 25
I think it is ridiculous to say that this is cultural appropriation. In any case, I don’t think cultural appropriation is always a problem. But in this case, I don’t think anyone has any right to criticise Power for using the psalm in this way. Aboriginal people have this Psalm because European Christians gave it to them. In many cases Europeans forced their faith on Aboriginal people. We have no right now to accuse Aboriginal people for adapting texts and traditions that we gave to them, often at the expense of their own culture and religion.
I don’t think we have any right to be offended by Power’s refernces to invasion. If we are paying attention, we should be aware of this fact whenever we acknowledge country or are welcomed onto country.